10 Things Movies Always Get Wrong
Movies get a lot of details incorrect, which causes many movie fans to have a skewed understanding of topics that at first glance appear to be quite elementary.
Sadly, this “misinformation” is quite common among moviegoers, particularly among individuals who rely on movies as their primary source for gaining knowledge of new topics, such as history, actual events, and different cultures.
It is difficult to hold filmmakers accountable for this erroneous understanding.
The primary purpose of the vast majority of films is to amuse rather than to teach. Filmmakers are motivated only by financial gain, and they have every reason to cater to the preferences of their audience members, even if doing so involves presenting inaccurate information.
10. Violent Deaths
In the vast majority of action movies, it seems as if victims pass away instantaneously after being shot or stabbed. Let’s get this straightened up once and for all.
Wounds from firearms and knives do not cause instantaneous death in humans. A person may only die instantly if they are stabbed or shot in the head, heart, or cervical region, which is the section of the spinal cord that is located in the neck. If you shoot or stab a person in another part of their body, they will die from bleeding to death instead.
We should also mention that contrary to what is shown in many movies, the majority of poisons do not cause death in a matter of minutes. Some do, but most do not.
The bulk of the poisons that are now available take many days before they may transform living persons into corpses. When it comes to dead bodies, movies have given us the impression that dead individuals have a more seductive appearance than is really the case.
Pale and gray is a common appearance for deceased persons. In addition, they have a putrid odor, especially when they have been decomposing for some time.
This indicates that murder investigators in the real world do not merely stumble upon remains that have been stashed in basements or vehicle trunks by chance. They will smell the corpse a significant amount of time before they actually see it.
9. Arabs and Russians
Who else except us has noticed that the majority of Hollywood action movies feature Russians or Arabs as the antagonists? This is not a random occurrence.
After World War II, when the Soviet Union emerged as the single superpower to confront the United States of America, a tendency evolved of casting Russians in the role of antagonists. The subsequent collapse of the Soviet Union did not make the situation any better since Hollywood immediately shifted its focus to Russia, the country that succeeded the Soviet Union as the primary antagonist.
Arab Muslims are in the same precarious position as everyone else; they are the ethnicity of choice for terrorists, dancers, and millionaires.
This condition is referred to the Arabian-Americans as the “3B syndrome,” which refers to the three key positions that are often designated for them: belly dancers, bombers, and billionaires.
It is not clear how Hollywood came to link Arab Muslims with acts of terrorism in the first place. On the other hand, we are aware that Arab Muslims have played terrorist roles prior to the 9/11 attacks. However, the events of September 11 only served to exacerbate the stereotype, and they were ultimately successful in establishing themselves as the ethnicity of choice for the part.
In movies, we usually watch a character die after hearing a gunshot and then seeing them fall to the ground. In the events of real life, we first hear a gunshot and then watch a person fall to the ground dead. Since bullets travel faster than the speed of sound, it stands to reason that a bullet would strike its target just minutes before the victim and other individuals in the area will hear the gunshot.
This is because bullets travel faster than the speed of sound. When we talk about gunshots, we should note that actual battlefields are not often filled with never-ending symphony of gunfire as they are portrayed in many movies. On real battlefields, a significant number of troops never even attempt to fire their guns. When this occurs, they do not fire in automatic mode since doing so would result in the unnecessary waste of rounds.
Movies also portray battles inaccurately, showing them as packed stadiums full of warriors who are visible to everyone despite wearing camouflage clothing. In reality, none of these things takes place. To prevent the adversary from quickly destroying them all at once, soldiers keep a safe distance between themselves.
Their camouflage outfits not only help them blend into the surroundings, but also help them blend in so well that sometimes their coworkers do not even see them.
Last but not least, war zones in real life are far louder than they seem on screen. During combat, soldiers are also highly likely to get disoriented and confused, particularly when they are unsure of the location from which the adversary is firing. Because of this, communication is a complete disaster.
There are occasions when commanders have to repeat commands anywhere from once to four times before the recipient fully comprehends the message.
Hollywood often errs in its depiction of scientific concepts. No, we are not going to talk about humans with superhuman strength, the ability to fly, and eye-blasting lasers.
Instead, we’re talking about well-established scientific laws like the fact that a person will jump into the air if they’re shot.
According to Newton’s third rule of motion, for every action, there is an equal and opposite reaction.
A bullet fired from a rifle powerful enough to propel a person into the air at a considerable height would, by this logic, also throw the shooter into the air at a high height, or at the at least break their wrist. Similarly, explosions may be classified as such.
If an explosion can throw a person into the air, it is powerful enough to liquefy their internal organs.
Despite this, it’s common in movies for characters to walk away unscathed from massive explosions.
This article would be incomplete without addressing the issue of ships exploding and burning up in space, as shown in the Star Wars franchise.
Although actual spaceships are capable of exploding in orbit, the only visual evidence of such an event would be a brief burst of light.
The absence of air in space means that you won’t feel the shockwave or hear the explosion.
Sound waves need air to go from one place to another. Nothing will catch fire on the derelict spacecraft since there is no oxygen or air in space to fuel a blaze.
6. Space Travel
Spaceships in a lot of sci-fi films seem quite different than they would in reality. Movie spacecraft are usually so unrealistic that they couldn’t even leave the planet, much alone go to other stars. Even if they depict space travel and people soaring through space, filmmakers sometimes get the details incorrect.
Example: in the 2013 film Gravity, played by Sandra Bullock, an astronaut named Dr. Ryan Stone navigates from a destroyed space shuttle to the ISS and subsequently to a Chinese space station without the use of rockets. Since the astronaut and space stations are in separate orbits, this cannot happen in actual space.
To go from one orbit to another, astronauts require rockets that are quite strong. The power of space shuttles is insufficient, hence they are disregarded. You may either use rockets or nothing at all.
For those interested in dinosaurs, the best film to see is Jurassic Park.
A movie about dinosaurs, but not the one people turn to first when they want to learn more about them. It was inaccurate in many ways when it came to dinosaurs.
The film’s portrayal of T-Rexes, for instance, emphasized their speed at the expense of their vision.
They’re both completely incorrect. Though they were very sluggish, T-Rexes possessed exceptional vision.
Like an eagle, they have excellent vision and can detect a mouse in the grass 60 feet away.
They could only go around 15 mph at peak speed, so if you were in a vehicle, you could easily outrun them.
The film Jurassic Park also disseminated false information about various types of dinosaurs, most notably the Velociraptor, Dilophosaurus, and Spinosaurus.
When compared to their appearance in Jurassic Park, velociraptors were very tiny, being around the size of a turkey at most.
In contrast to its portrayal in Jurassic Park, the Dilophosaurus lacked venom and neck fans, and the spinosaurus was not nearly as large, vicious, or strong as it was made up to be.
When put up against the T-Rex, it was easily defeated.
Pterosaurs and pteranodons and other flying reptiles fared little better.
In reality, they had a hard time even landing on trees, much alone transporting a human being. However, the smaller pterosaur was seen to capture people and fly off with them in Jurassic Park.
It just takes a few seconds to get access to a computer, pull the necessary data, and then they’re done.
Computer hacking is much more tedious and tedious than this.
The vast majority of “serious” hackers seldom, if ever, actually hack anything.
Instead, they employ phishing websites to acquire a user’s credentials, which they then use to access the system properly, all without touching a single line of code.
True hackers undergo a lengthy process of tedious work that would have moviegoers dozing off.
Despite this, we have been shown what true hacking looks like in a few movies, but not without attracting the notice of the authorities.
After seeing hacking depicted in the film WarGames, the U.S. government established the Computer Fraud and Abuse Act to prevent such attacks (1983).
In a similar vein, the London Metropolitan Police issued cautions to encourage aspiring hackers to refrain from mimicking the hacking scenarios shown in The Matrix Reloaded (2003).
Every single reader has watched at least one film in which a character opens a safe or door that utilizes biometric scanning technology by using a severed finger from an adversary who has passed away.
A riveting plot point for the movies, but completely implausible in the real world since biometric scanners can only pick up on living tissue.
A severed finger or eye cannot provide scanners with any meaningful information to read. In addition to this, the human eye quickly loses its shape after being removed from its socket, and by the time the actor arrives at the scanner, the eye will no longer seem to be an eye at all.
Hollywood often portrays Africa as a continent torn apart by war and inhabited by destitute people who live in remote places and lack access to modern technologies. This image of Africa is prevalent in the entertainment industry. This makes absolutely no sense at all.
To begin, Africa is not a country but rather a continent that is home to 54 different countries that have their own distinct identities.
The locals have access to the same sorts of cutting-edge technologies that are available to individuals in other parts of the world.
In addition, Hollywood has a propensity for combining a number of different language variants and cultural traditions associated with Africa.
As an example, a South African language was used in place of a Rwandan language in the movie Hotel Rwanda (2004), while a Ghanaian language was used in place of a Nigerian language in the movie Beast of No Nation. Both of these movies were produced in 2004. (2015).
It’s possible that viewers in the west won’t notice these “errors,” but a significant number of people in Africa will, and they’ll find it appalling when they do.
Now that we’ve gotten that out of the way, let’s discuss the so-called “African accent” that you hear in western movies featuring western actors who are claiming to be Africans. You can hear this dialect in movies like Out of Africa and The Lion King.
These pronunciations have absolutely nothing in common with those used in Africa. They are so far off from reality that even those who are originally from Africa find them to be hilarious.
After taking a barrage of blows to the head, it is not uncommon to see characters in movies, especially the protagonist, continue to engage in the conflict that they were originally engaged in.
On very rare circumstances, the hero passes out, but they quickly recover and go on as if nothing significant has occurred to them.
In the real world, a hit to the head will often result in a subdural hematoma, which causes blood vessels in the skull to rupture. This condition is known as a “bleeding subdural.”
People over the age of 35, which is the age group that comprises the majority of performers cast in action parts, are at a greater risk of developing a subdural hematoma.
This is the primary reason why so many professional boxers hang up their gloves in their 30s.
Despite taking a number of hits to the head during Spectre (2015), the 47-year-old James Bond, played by Daniel Craig, was able to escape unharmed. This was a mystery to all of us.
Obviously, if he were to sustain all of those strikes in real life, he would either be dead or at the very least be suffering from chronic traumatic encephalopathy, sometimes known as punch-drunk syndrome.
Everything we’ve gone through thus far includes blows to the front of the head, and that will continue to be the case.
It is common practice for punches to the back of the head to result in instantaneous death. This is true for punches that are thrown with the assistance of a weapon as well. They are capable of causing concussions, which may result in immediate death.